Works by Curtis K. Hughes
(to inquire about obtaining scores for perusal, rental or purchase, send email to curtis@curtiskhughes.com or visit the Contact page)
Chamber & Small Ensemble Music
chromomodular lounge suite (2023)
for flute/alto flute, oboe/english horn, clarinet/bass clarinet - 17’
(suite compiles works listed below: spry, vestibule 1, vestibule 2,2, recumbent)
recumbent (2023)
for english horn and clarinet - 4’30”
rapid transit (2023)
for 2 violins, piano - 9’
tensile (2021)
for saxophone, electric guitar, piano, percussion - 10’30”
Dept. of Levitation Studies (2019)
for viola and piano - 7’30” - score sample
merger (2016)
antechamber (2015)
String Quartet No. 2 (2015)
21’
vestibule 3 (2013)
for bass clarinet and marimba - 8’ - audio
vestibule 2.2 (2013/2023)
for flute and oboe - 4’
vestibule 1 (2013)
for alto flute and bass clarinet - 5’30” - audio
verbiage (2012)
for flute, clarinet, violin, cello, piano, percussion (and optional fixed media) - 14’
wingtones (2009)
for clarinet and piano - 13’ - audio
Quintet for Winds #2 (2008)
19’
attraction strategy (2007)
for piano and vibraphone - 4’30”
caduceus (2007)
for violin and cello - 11’
danger garden (2006)
for flute, clarinet, violin, cello, piano, percussion - 13’ - audio
AVOIDANCE TACTICS #2 (1999/2004)
for trumpet and percussion - 9’
insult to injury (2003)
for violin and piano - 21’ - audio part 1 - audio part 2
two-faced (2003)
for alto saxophone and percussion - 9’
narrative X (2003)
for horn, cello, and marimba - 7’30”
National Insecurity (2002)
for flute, bass clarinet, trumpet, vibraphone, violin, cello, bass - 12’ - audio
Myopia 1 (2001)
for clarinet, viola and cello - 10’
Sonata for 2 Oboes and Piano (2000)
13’
String Quartet No. 1 (2000)
19’30” - audio
AVOIDANCE TACTICS #1 (original version - 1999)
for piano and percussion - audio
Quartet for Saxophones (1999)
12’ - audio
no apologies necessary… (1999)
for horn and percussion - 10’
eight unnamable narratives (1996)
for english horn, cello, and marimba - 22’
Quintet for Winds #1 (1995)
12’
Septet (1994)
for flute, clarinet, horn, piano, viola, cello, bass - 4’30”
Four Movements (1994)
for clarinet, viola and piano - 7’30”
Large Ensemble & Orchestral Music
tulpa (2017)
for soprano voice, clarinet, bass clarinet, bassoon, piano, 3 percussion, violin, 2 cellos - 16’ - audio
winter street excursions (2014)
for youth chamber orchestra (2/0/1/1; 0/0/0/0; strings) - 10’
Symphony (in 3 movements) (2005)
for orchestra (3/3/3/3; 2/2/2/1; timp; perc; pno; strings) - 18’
minority whip (2005)
for large wind ensemble (6/3/9/3/4; 6/6/4/2/2; timp; 3 perc; harp; bass) - 12’30”
myopia 2 (2003)
for 12 saxophones (3/3/3/3) - 10’ - audiogestations (1999/2001)
for chamber orchestra (2/2/2/2; 2/2/2/0; timp; harp; strings) - 11’
chasing the st. croix (1998/2001)
for large orchestra (4/3/4/4; 4/4/3/1; perc; harp; celeste; strings) - 6’30”
Masquebec Tempest (1996)
for orchestra (3/3/3/3; 4/2/3/1; perc; harp; celeste; strings) - 8’
night dive (1996)
for chamber orchestra (1/1/1/1; 2/1/1/1; perc; harp; celeste; strings) - 3’30”
un cauchemar fiévreux (1995)
for string octet (3/2/2/1) or string orchestra - 10’
Music for Solo Voice with Instruments
butter-wouldn’t-melt-in-his-mouth (2018)
for soprano and cimbalom - 9’
that thing (2017)
for soprano and piano - 7’
cats & dogs - on texts by Gwenn Gurnack (2013)
for soprano and viola - 8’
“I am the future of the Republican Party…” - aria from the opera ‘Say it Ain’t So, Joe’ - (2010)
for soprano and piano - 6’30”
“…a series of understandings…” (2008)
for soprano and flute - 3’
The Beck Journals, Vol. 2 (2006)
for amplified mezzo-soprano/speaker and ensemble (flute, violin, viola, cello, piano) - 18’ - audio
Three Songs from ‘Seven Settings’ (1998/2002)
for soprano, harp and ensemble (flute, oboe, horn, violin, viola cello, bass) - 14’
Opera
RareBit (2014)
chamber opera for soprano, tenor, baritone, clarinet(s), saxophone(s), percussion - 17’
Palin Suite - from the opera ‘Say it Ain’t So, Joe’ - (2012)
for 2 sopranos, mezzo-soprano, piano, vibraphone - 18’
Say it Ain’t So, Joe (2009)
chamber opera in 2 acts for 2 sopranos, mezzo-soprano, baritone, clarinet, saxophone, cello, percussion - 75’ - libretto - audio
Deirdre of the Sorrows - libretto by Doria A. Phelps - (1996)
opera in 2 acts (soloists: S/S/T/Bar/Bar/B/B; chorus T/T/B/B; 1/1/1/1; 2/0/2/0; perc; strings) - 60’
Choral/Vocal Music
Suite from “The Wolf and the Seven Little Kids” (2011)
for children’s chorus and piano - 14’
The Wold and the Seven Little Kids (2010)
for children’s chorus, narrator, and ensemble (flute, clarinet, violin, cello, piano, percussion) - 25’The Beck Journals, Vol. 1 (2005)
for solo SATB quartet, clarinet, string quartet - 8’30” - audio
Two Pieces for A Capella Choir (1994)
SSAATTBB - 4’30”
Solo Instrumental Music
Suite No. 2 from “vestibulations” (2021 - ongoing)
for piano
lullibule (2020)
for solo guitar - 5’
spry (2020)
for solo flute - 2’30”
Suite No. 1 from “vestibulations” (2016)
for piano - 10’ - audio
“we’ve opened doors…” (2012)
for soprano saxophone - 2’30”
lucid (2010)
for xylophone - 2’30”
flagrant (2008)
lesson plan [for Lee Hyla] (2007)
for bass clarinet - 2’ - audio
Prelude for Piano: 80+ (2004)
5’
semantic games (2002)
for piano - 5’
salt in the wound (2000)
for vibraphone - 9’ - audio
impacted sonata (1997/1999)
for solo cello - 11’
Sonata for Piano “The Return of Felix Rossiter” (1995)
20’
Solo Instrument with Fixed Media
AVOIDANCE TACTICS #1 (electronic version - 2001)
for piano and fixed media - 11’ - audio
Electronic Music
prickly invectives (1998)
3’30”
bagatelle for piano 12 hands (1998)
2’35”