Biographical Information
The music of Curtis K. Hughes (b. 1974) is characterized by its rhythmic restlessness, its harmonic adventurousness and its often volatile mix of diverse stylistic elements and political subtexts. It has been described as "fiery" in the New York Times, "well crafted" in the Phoenix, and "colorfully scored" in the Boston Globe. A professor of composition at the Boston Conservatory from 2008-2020, Curtis was a student of composers Lee Hyla and Evan Ziporyn, and is a graduate of Oberlin College and Conservatory, and of the New England Conservatory (NEC), which honored him in 2010 with its Oustanding Alumni Award.
Curtis's most recent endeavors have included new works for Hinge Quartet,RAHA Duo, Tony Arnold & Jacob Greenberg, New Gallery Concert Series, Transient Canvas and Guerilla Opera, who also premiered Say it Ain't So, Joe, his 2009 opera about the 2008 Vice Presidential Debate between Sarah Palin and Joe Biden (now available on Cauchemar Records).
Curtis's music has been performed across the US and internationally, from Los Angeles to Berlin, from Vermont's Yellow Barn to Bulgaria's Here/Now New Music Festival. He was a 2005 fellow at Tanglewood, and has served as composer-in-residence for Collage New Music and the Radius Ensemble. Recordings of his music for the Albany, GM, New Focus, and Cauchemar labels are available at all major online music retailers.
Press
"Sarah Bob, the ensemble's pianist, took a solo turn in Curtis K. Hughes's AVOIDANCE TACTICS #1 (2001) a fiery work for piano and tape... [with] great moments of interaction between the keyboard and the taped and electronically altered percussion sounds."
- Allan Kozinn, New York Times
(Click here for complete review.)
"Curtis K. Hughes, Collage's current composer-in-residence, came up with a little winner called danger garden. In a way this was a collage for Collage, an engaging discourse among incompatible elements..."
- Richard Dyer, Boston Globe
(Click here for complete review.)